Curated as a series of vignettes and colour stories, the exhibition placed Sina's vibrant textile work at its core, showcasing no fewer than four pieces: Sumptuous Field, Dwindled Scenery, Dripping DNA, and Absorbed Jungle. Together, these works embodied Sina's signature approach bold colour, organic form, and a deep commitment to sustainable materials. Inviting visitors to reflect on how colour and texture shape our experience of space.

Sina was paired with Brooklyn-based lighting designer Rosie Li, with their combined vision driving the exhibition's narrative. Surrounding their work were contributions from Kajsa Willner, a site-specific installation by Christina Watka, solar-designer Marjan van Aubel's Sunne lights, and paintings from Dominick Leuci and Darryl Westly.

"Color Theory came out of a number of organic, simultaneous conversations with designers who were all pushing the boundaries of their work," noted Salon Design founder Amanda Pratt. A sentiment that speaks directly to Sina's ever-evolving practice at the intersection of colour, materiality, and sustainability.